In “Lines Written a Few Miles Above Tintern Abbey,” Wordsworth empathizes how nature and the course of time shape human, more specifically his, experiences. The narrator uses nature in order to emphasize how profound and timeless his experiences are, as well as how nature allowed him to mature and grow into the person he is now. The beginning section of the poem mentions the time since he has visited this area of bliss as “[f]ive years…five summers…with the length/ Of five long winters.” During those five years he has remembered the passion that nature has left him, claiming how all the sounds and scenes were “[f]elt in the blood, and felt along the heart” regardless of the time passed. Along this section, he also states how in his boyish days, nature “[h]aunted [him] like a passion,” which again is how strong his passion of nature is, as well as how that passion allowed him to grow from the boy he was to the man he is now. However, not only has nature emotionally helped him grow, but spiritually as well. He refers to how nature shined light on “the burthen of the mystery” and “the heavy and the weary weight / Of all this unintelligible world.” Also, he uses words such as “blessed mood” to explain that these moments and the power nature allowed him to see “the light of things.” Arguably, it can be assumed that nature is considered a religion to the narrator, because of how much it has helped him through the difficult courses of their time.
In a philosophical sense, this poem is revolutionary to a person growing from young to old. It does not necessarily mean it involves a political change, or a innovation that affects the population, but more so to the emotional and spiritual growth of a person.
Wordsworth’s use of the concepts of time and nature in “Tintern Abbey” makes it a revolutionary poem. In fact, the first line of the poem relates to time, as the narrator states that “[f]jve years [had] passed” since his last visit to that spot in nature (Wordsworth 1). The purpose of the author using time in his poem is to demonstrate how moments survive time and change, through memories; this seems appropriate as the author lived in an ever-changing Europe. After recollecting on previous trips, the narrator describes how “in this moment there is life and food / [f]or future years” (Wordsworth 65-6). The narrator infers from his nostalgia at this moment that he will have the same nostalgia in the future.
However, as the years have passed, the narrator observes nature differently than he used to; he learns “[t]o look on nature, not as in the hour / [o]f thoughtless youth, but [to hear] oftentimes / [t]he still, sad music of humanity” (Wordsworth 90-2). The narrator no longer views nature and humanity as entirely disconnected. One can infer since the author describes hearing the “still, sad music of humanity” within the wilderness, Wordsworth believes there is a bond between humans and nature that has been forgotten by most (Wordsworth 92). As humans of Wordsworth’s period furthered themselves from nature, Wordsworth emphasized the importance of a continued relationship between nature and humans; his poem is revolutionary in this sense. People of Wordsworth’s period failed to remember their origins in nature; Wordsworth insinuated humankinds need to remember their origin. As the narrator feels nostalgia upon reconnecting with nature, the whole of humanity will too.
“Time Passes” is an appropriate title for this section of Woolf’s novel. The first section of the novel felt as if time were standing still. Mr. Ramsey’s thoughts, for example, take up substantial space within the novel while progressing very little of the plot. As he walks around thinking on how Shakespeare is irrelevant, he slows the plot down to a mere crawl. This contrasts greatly with the form of “Time Passes” say many important things in a short amount of time. Late in the passage, Woolf writes “So she was dead; and Mr. Andrew killed, and Miss Prue dead too, they said, with her first baby; but everyone had lost some one these years”(77). The twenty year time-travel is evident in this passage through its simulation of the effect of a whiplash speed of time; one only has time to see brief important things and repeat them later as a representation of the whole. Furthermore, Miss Prue’s death in childbirth represents the inability to reproduce and continue time through human’s own ability, as if time continues while leaving humanity behind. The irrelevance of man in the riptide of time is evident again through the observation of the cook. Woolf writes of “The cook now, Mildred, Marian, some such name as that”(77). The phrasing implies that the cook is a replacement whose name is not worth memorizing, possibly referencing how soon she will be gone too and thus replaced by another nameless cook.
The passage connects with World War I in its confusing and quick movements characterized fewer insights into the characters themselves. “The Window” contained multiple passages that delved deep into the psyche of Mr. and Mrs. Ramsey, while “Time Passes” implies that the replacement cook, who will soon be replaced herself, is not worth the time taken to memorize her name. In addition, Woolf juxtaposes stillness and chaos with day and night as she says “the stillness and brightness of the day were as confusing as the chaos and tumult of the night” (76). Historians characterize World War I as an unusually uniform war. Two trenches: one side attacks, the other attacks subsequently, and it goes on. The war dragged on for such a monotonous stalemate that any sort of stillness in the constant fighting would be alien and disorienting. The passage as a whole uses the speed of time, which was proven to be relative in the early 1900’s, to bring out a meaning of the War’s ability to warp time. Nature continues on, patient as usual, while humanity gets caught in its own storm, getting left behind in the night.
Time Passes is the shortest part of “To the Lighthouse” yet the longest span of time. The first part focuses on one day yet is over a hundred pages long whereas Time Passes is less than 25 pages. Also unlike The Window, it is told through a nonhuman perspective, focusing mainly on the house and the changing weather. In the first half there are many different perspectives from the people staying in the house. They wonder about their life and how much they have done. They think about their impact in the world and in this section of the book Woolf provides the answer to that. One way she does this is by mentioning the deaths in brackets saying how Mrs. Ramsey, “died suddenly the night before,” or how “Twenty or thirty young men were blown up in France, among them Andrew Ramsay.” They seem to be after thoughts and give us an idea of how much time has passed and what is going on in the world. How she introduces them shows the insignificance they hold compared to time. Time keeps moving on no matter what else is happening and is portrayed in a somewhat mechanical way.
The deterioration of the house and Mrs. McNabs struggle to clean it conveys feelings of WWI. Mrs. McNab is an old woman and is seeing this grand house and the remnants of the people that stayed there decay and be taken over by nature. It talks about how rain came in, things had gone mouldy and the attics being inhabited by rats. Finally Mrs. McNab gives up, thinking, “It is too much for one woman, too much, too much.” This portrays the overwhelming feeling that WWI brought and the inability to deal with it. This could also pertain to the “shell shock” that soldiers experienced and woman’s struggle to deal with them due to lack of knowledge on PTSD during that time. Just like the house, men’s minds deteriorated and like Mrs. McNab, women felt that they could not help them by themselves.
The deaths during Time Passes also show the effects of WWI. Mrs. Ramsay’s death is the fall of the Victorian woman. She played the domesticated wife whose duty was to nurture her children and worry over men, and her death marks the fall of these characteristics. Prue’s death comments on beauty, youth, and fertility. Andrew whose future was so bright in his parents eyes shows how war ended that hope. Overall their deaths and the state of the house convey uncertainty and lack of hope for the future.
Time is a recurring theme throughout Virginia Woolf’s To the Lighthouse. In Part I (The Window), Woolf stretches time, devoting the first 124 pages to a single day. This reflects the desire of some of the characters for time, that day, to stand still. Mrs. Ramsay in particular wishes for them to always be together as they are in the dinner scene and for her youngest children, Andrew and Cam, to never grow old and suffer as she has.
In contrast, in Part II (Time Passes) ten years are compressed into approximately 20 pages. The passage of time is reflected by the deterioration of the house on the beach. While only a few words are devoted to the lives of its former inhabitants, the house’s increasingly poor state reflects their own experience over this period. The series of tragedies in the background of WWI are sudden and confusing. Their presentation in a short, objective, bracketed form disrupts the narrative and generates this effect. These years and events are then condensed into a few pages as they are slowly processed over many years. This reflects the way in which the world attempted to process the events and implications of WWI. In its aftermath a strong sense of confusion, shock, and disillusionment was felt. Nature seemed disrupted, as it is around the abandoned house: “…(for night and day, month and year, ran shapelessly together) in idiot games, until it seemed as if the universe were battling and tumbling, in brute confusion and wanton lust aimlessly by itself” (134-5). This processing was extremely gradual. Likewise, Woolf’s compression of ten years into 20 pages suggests that little changed over the course of these ten years as the characters, most likely, grappled with these sudden tragedies and, to some extent, the disruption of nature itself (the loss of the constant, binding force of Mrs. Ramsay in many ways represents this disruption of nature in their lives). Time moved on, but many people did not and so the narrative focuses on the state of nature and the beach house as opposed to the characters.
Virginia Woolf’s To the Lighthouse presents three different sections, spanning a decade, each told in a different way. The second section, “Time Passes”, although rather short, makes its way through ten years including World War I, whereas “The Window” covers only an evening or so. While the “The Window” addresses time as relative to one’s thoughts, emotions, and consciousness, “Time Passes” is told from the perspective that time is independent from human life. That is to say that the hours, days, and years that make up time will continue to pass by at the same rate that they always have.
Throughout the passage, Woolf personifies inanimate objects such as the draft that sweeps through the house during the time when the family is away. She describes the drafts as “smoothly brushing the walls, they passed on musingly as if asking the red and yellow roses on the wall-paper whether they would fade, and questioning (gently, for there was time at their disposal) the torn letters in the waste-paper basket, the flowers, the books, all of which were now open to them and asking, “Were they allies? Were they enemies? How long would they endure?” (126). She also touches on the isolation and confusion which WWI wrought. A sense of personal and national identity was lost during the war, especially in England. Similarly, Woolf posits how the objects in the house have lost their identity because the people who give there lives meaning are gone. Woolf elaborate continually through the section on how time infects all things such as “some faded skirts and coats in wardrobes- those alone kept the human shape and in the emptiness indicated how once they were filled and animated” (129). She also hints at the emptiness of the post-war world as all of the material items of the millions of young men lost to the war remain and how they are the only reminders of their lives. While “Time Passes” puts a large emphasis on the role of time in nature and in aging the house, it gives very little consideration to the Ramsays and their friends. References to them are given in brackets, such as “[Prue Ramsay, leaning on her father’s arm, was given in marriage. What, people said, could have been more fitting? And, they added, how beautiful she looked!]” Human life is more or less an afterthought in the grand scheme of life. Time continues to push forward, thrusting humanity along with it, regardless of whether or not people are ready for it. People and things may fade, but time marches on.
While Virginia Woolf’s To The Lighthouse deals heavily with the aftereffects of World War I, the novel does not really address the War until its second section, entitled “Time Passes”. This section consists of ten short chapters. “Time Passes” encompasses a decade’s worth of events in around twenty pages, in contrast to the first section, “The Window”, which consists of 125 pages and describes the details of a single evening. The effect of the severe condensation of time in the second section is disorientation for the reader. The section consists of mostly narration and very little dialogue; it also mostly mentions events after they have already happened: “[Mr. Carmichael brought out a volume of poems that spring, which had an unexpected success…]” (134). This gives the reader the sense that the entire section was written in retrospect as the narrator reminisced on the things that happened to the Ramsay family between 1910 and 1920. The somewhat historical perspective that is therefore created in this section engages with WWI because it looks back on the War as a past event as opposed to experiencing it firsthand, which mimics the way the reader would be approaching the text as well.
Furthermore, the way that the reader is bombarded with death in this section parallels the chaotic and devastating way Woolf’s generation had to deal with the loss of loved ones. Interwoven with commentary about the passage of time, the narration notes that Mr. Ramsay reaches out for Mrs. Ramsay, although “Mrs. Ramsay [had] died rather suddenly the night before” (128). Additionally, “Prue Ramsay died that summer in some illness connected with childbirth” (132) and “Andrew Ramsay[‘s] death, mercifully, was instantaneous” (133) after a shell exploded during the War. All of these deaths, being mentioned one after another, allow little time for the reader to process what is happening. As opposed to the generous time given to many different perspectives during the first section of the novel, the narration moves on from each of these deaths with very few comments on their effects. The deaths seem to lose their importance due to the style of the narration, leaving the reader with a sort of numbness that was pervasive in English society following the end of WWI.