Isolation and Fading Happiness in Joyce’s “Eveline” and Pound’s “In a Station of the Metro”

            James Joyce’s “Eveline” and Ezra Pound’s “In a Station of the Metro” both share a gloomy tone and address the similar theme of isolation.  Eveline experiences many of the same emotions as rider on the metro would.  While Eveline yearns to “explore another life with Frank” (2223), she is struck by feelings of melancholy for her old family life.  Someone waiting at the metro station is likely traveling somewhere, which is usually an exciting affair, yet he or she cannot seem to find any joy in the activity.  These sensations set the vapid scene of each piece. The “petals on a wet, black bough” (Pound) is representative of this notion of fading happiness as people, like all things in life, are eventually lost.             

            Both characters are disconnected from the world in which they live.  The metro would likely be buzzing with a multitude of people and subways, but it still very easy to feel alone.  The bustling people look more like an “apparition” (Pound).  They are all so isolated from one another that all the metro-goers seem more like ghosts.  Eveline is in a similar state of limbo as she dreams of her future and reminisces about her past.  She remembers happier times when “the children of the avenue used to play together in that field” (2222) and wishes to return to her past.  Joyce is hinting at one of the prevailing themes of modernity: alienation.  Similarly, the advent of advanced technology, such as the subway system, evokes sadness and a longing for a simpler time. 

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